Enchanté’s Short Stories
Time for a little advertising in between blogs!
ENCHANTÉ has issued 6 Short stories so far, all represented on the right, under the banner “Some Women I Have Known.” I borrowed this title from my Great Uncle Joost van der Poorten Schwartz (1858-1915), who wrote some 17 books in the English language, mostly in the nineteenth century, and his “Some Women”, though more “Victorian” in concept than the ones I met, is still a good read.
I – The Audrey story is a Memoir of how 13-year old Audrey Hepburn entered my life when I was seven. I had wanted to write this story for a long time and finally did. Her son Sean Hepburn Ferrer found it “sweet” and sweet it is. She had an indelible impact on my life, as I could never have guessed she would become so famous and well liked the world over.
II – The Two Anns memorize first loves, seen from a young male’s adventurous POV (point of view). There are many women I have met and forgotten, but you never forget your first loves. It would have been interesting to know how these first loves remember me and if they ever wrote that on paper.
III – Lucy The Cello Girl got me hooked for life with her bow, phrasing heavenly music from her instrument, when I met her in the basement of my boarding school. A lover of classical music, I fell for her instantly, but young love has its tragic moments of inexperience, immaturity and doubts, and it took many years to come to fruition.
IV – Tisja The Village Beauty is the naughty story about how Peter loses his virginity. I guess nobody forgets that moment in their life. It’s worth remembering and I had a good laugh writing it up.
V – Geneviève The Adorable Pianist pictures the classical Love in Paris. Many loves in Paris populate books and movies, but each one is different and this one is no exception. Even today, soaps return to the Eifel Tower, Trocadero, the river the Seine and the Ile de France. For all its picturesque flavor, Paris remains a pitfall for amour. This one got started while playing quatre mains at the piano at the famous Ecole normale de musique, “mains” that got closer and closer and… well, you read the rest.
VI – Irene Femme Fatale is the eternal refrain of young libido gone haywire and ending in predictable disaster. Women are smarter than man, because they got that superior gift of nature to lure the male into the dangerous act of procreation and… you better watch out.
VII – Lady D is a Memoir of the quintessential grandmother. Some people are greater than others, and she is one of those rare people. Yes, at one stage they pass away and go to heaven, but they live on never to be forgotten, staying at your side throughout life.
Two more stories are in the pipeline: September: Ingrid The Magnificent Viking, about a goddess met on the ski slopes in the Swiss Alps at a moment of great distress that turns into even greater distress; and October: Nyira, The Tutsi Queen, reliving the harrowing memory of a narrow escape from tribal persecution and hatred in the central African region of Rwanda and Burundi.
The short stories are published for Amazon.com by Willow Manor Publishing in Fredericksburg in Virginia, and the cover designs are the product of Melanie Stephens of the same company.
They are available on Amazon.com for Kindle reading at the ridiculous price of 99 dollar cents or there about depending where you are. Get them for an easy read during Labor Day Weekend! If you do, give a review, if you can, by clicking on the story’s review link on Amazon.com. It’s simple and won’t cost you more than a few minutes of your time.
Lastly, my romantic novel “Enchanting The Swan” is in the final stage and may be published in the not too distant future.
THE PROLIFIC ANCESTOR
Why I am writing?
To join a masterful Great-Uncle, Joseph M.W. van der Poorten-Schwartz (1858-1915), a Dutchman who wrote bestsellers in the English language one hundred years ago, most of them under the pseudonym “Maarten Maartens.”
His 20 odd books are all stored in the Library of Congress (see picture below) and were widely read in the USA, England and Germany.
Even though born in Amsterdam, Joseph wrote in English because he spent his early youth in London where his father, Carl August Ferdinand Schwartz – my great-grandfather – was appointed reverend of the Free Church of Scotland. English became Joseph’s second language.
Maarten Maartens’s novels were popular in the USA and England because they dealt with “the psychological and moral questions of conscience…as at the time there was a growing tendency to devote attention to the psychological problem play and novel” (quoted from Hendrik Breuls in his Doctoral Thesis “Author in Double Exile, The Literary Appreciation of Maarten Maartens” – 1985, later completed as his 2005 Ph.D. dissertation at the University of Dresden, Germany, entitled “A comparative Evaluation of Selected Prose by Maarten Maartens”). Maarten Maartens is especially known for his sharp characterizations and caricatures of certain professions.
Hendrik Breuls starts his 1985 thesis with one of many worthy Maarten Maartens quotes, which are as good a perception of the needed writing skill as we find in today’s essays on good writing: “If you want to be heard by your own generation” (and that is his, one hundred years ago) “never say in three words what you can say in six, and if you want to be listened to by all future generations, never say in six words what you can say in three.”
Uncle Joe made tons of money from his books and built a huge mansion for himself, his wife and one daughter in a wooded area near Utrecht, not far from Amsterdam, baptized “De Zonheuvel” (The Sunny Hill). A nephew of mine, Michiel Kranendonk, a currently renowned Dutch painter in Holland whose mother is Marie Kranendonk-Schwartz, created a mural painting of the “Maarten Maartens House” in the hall (see partial picture below). At the back of the house featured a meticulously maintained “French Garden” with remembrances of the Chateau “Versailles”. The house is currently a Foundation and occupied by the Institute “Slotemaker de Bruine Institute” (SBI).
In 2015, Maarten Maartens’ one hundred year anniversary will be remembered to revive interest in the works of this forgotten prolific author.
More on this – and on painter Michiel Kranendonk – in a future Blog.
John